Felix Blumenfeld: Etude ‘Sur mer,’ for piano, Op – Play streams in full or download MP3 from Classical Archives (), the largest and best. Felix Mikhailovich Blumenfeld, Daniel Blumenthal – Complete Etudes Felix Blumenfeld – Episodes In the Life of a Dancer Etude, Op. 14, “Sur Mer”. Download scientific diagram | Blumenfeld: Etude “Sur Mer” (G minor). from publication: Sad Music Induces Pleasant Emotion | In general, sad music is thought to.
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The recordings are warmer than usual from this source and all lovers of high-born virtuosity will want to have this disc. The all-time greats Read about the artists who changed the world of classical music.
Blumenfeld Piano Etudes |
Blumenfeld Piano Etudes 4 Etudes, A. In the D flat Etude Op.
Blumenfeld born in Russia in was a formidable pianist and teacher his pupils included Horowitz and he set out with a vengeance to challenge and ensnare even the most athletically equipped players. Etude for the left hand. Skip to main content.
He is at his best in the dramatic duet of Op. Composition Artist Credits 4 Etudes, A.
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Daniel Blumenthal, working his way through some thorny and not always grateful stretches of the repertoire, plays with an imposing breadth, and even when he lacks the sort of magical technical and poetic resource to lift such music, untrammelled, from its sometimes mundane origins, I can safely say that Blumenfeld and Blumenthal are well matched.
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Cautious listeners should try these first trackswhere the music acquires its greatest individuality and transcends the influence of Chopin and a wide variety of Russian romantic composers notably Glazunov and Lyapunov. Gramophone’s expert reviews easier than ever before. Blumenfeld’s Etude for the left hand is the only one of his 18 studies to remain in the repertoire, occasionally surfacing from pianists with a masochistic taste blumehfeld the super-virtuoso repertoire.
Felix Mikhaylovich Blumenfeld Composer. So how good it is to hear the complete set, each and every one packed with luscious Slavonic melody entwined in ferocious and frequently double-note figurations.